Song Highlight: The National - Smoke Detector

“Music for people on the verge of a midlife crisis” is how I would describe the music of The National, the Brooklyn-by-way-of-Cincinnati rock band. They are not a band portraying the wistfulness of youth and young romances, rather they plumb the depths of adult life from unfulfilling jobs to stagnant relationships. They write songs about the banalities of a normal life, something that not many bands succeed in writing compelling songs about, or even try to do, for that matter. 

Spanish Love Songs - Bellyache

Anger and sadness are the emotional states that I am most drawn to in music. But of these two, if I was forced to pick a favorite, I would have to choose sadness. It is an emotion that we are all forced to grapple with during our lifetimes, so it is something that everyone can resonate with in some capacity.  Maybe it is the stage of my life that I am in, or my music snobbery, but happy music does not sound genuine to me. Fortunately, there is no shortage of sad music. The Los Angeles, California-based pop punk band Spanish Love Songs has been an ample supplier of sad music since I discovered them in 2018, shortly before the release of their second album, Schmaltz. Any devotee of melodic punk music will liken their sound to that of the early Menzingers' releases, back when the Menzingers still had some gruffness to them, and dwelt in unhappy places. 

Song Highlight: Left Lane Cruiser - Overtaken

As I had mentioned in a post about Junior Kimbrough, I did not grow up listening to the blues. When I considered the blues, my mind sprang to middling and unexciting Eric Clapton songs. My true love was guitar-driven rock and roll music, and while I intellectually knew that rock and roll came from the blues, nothing that I had heard really sold me on that notion (other than maybe Led Zeppelin's cover of "When the Levee Breaks”). I have come to see the error of my ways, and it was from hearing bands like Left Lane Cruiser, an electrifying two piece blues rock band from Fort Wayne, Indiana. The band consists of Freddie “Joe” Evans IV on slide guitar and vocals and Brenn Beck on percussion (ranging from the traditional drum kit to a washboard). Left Lane Cruiser takes the hypnotic groove of the North Mississippi hill country blues, like the aforementioned Junior Kimbrough, and injects it with the frenetic energy of punk rock. Joe’s vocal style is a gruff and unrefined bark that sounds like it was raised on a little too much Jim Beam and Miller Lite, which is appropriate given his description of the music as “dirty drinkin’ blues”.

Nightlands Festival

Anyone who has been to shows will be able to recall a handful of formative events in their lives, ones that astounded them and set the standard to which they measure all other experiences. I can safely add the Nightlands Festival to my own list of formative experiences. Nightlands is a festival dedicated to celebrating supernatural horror in literature through live spoken word readings of weird fiction, all set to music composed specifically for the stories and performed live. 

Song Highlight: Chained to the Bottom of the Ocean - The Chalice

The prolific Louisiana sludge metal band Thou have a song on their first full length album called "Fucking chained to the bottom of the ocean". The song does an excellent job of giving a sound to the bleak oppressiveness of confinement. There is something extremely evocative in the song title alone, conjuring images of someone eternally shackled in the icy darkness below the ocean’s lapping waves. The Massachusetts sludge metal band Chained to the Bottom of the Ocean must have thought as much, as they most certainly took their name from the song. If we needed any more evidence that Chained to the Bottom of the Ocean are fans of Thou, they recorded a cover of “The Chain” which Thou and The Body performed at the KEXP studio in 2015, which is a cover of Fleetwood Mac's classic "The Chain".

Song Highlight: The Birthday Party - Junkyard

One of the first bands that showed me that a band could be aggressive without resorting to death metal growls and down-tuned guitars was Big Black, Steve Albini's punk rock band from the early to mid 1980s. The clanging and screeching guitars coupled with the monolithic pounding of their Roland TR-606 drum machine created an intense listening experience the likes of which I had never heard before (I discovered Big Black after graduating college in 2009, while reading Michael Azerrad’s book about the American underground music scene in the 1980s, Our Band Could Be Your Life). That discovery helped introduce me to the world of noise rock, specifically to the band The Jesus Lizard, with the unmatched vocals of David Yow,  his stuttering yelps and wails ornamenting the muscular power of the band’s rhythm section and the minimalistic metallic sheen of Duane Denison’s guitar playing.

Song Highlight: The Goddamn Gallows - In League with Satan

A few months ago, I wrote about IV and The Strange Band, and their ability to combine a host of disparate sounds to make compelling music. The Goddamn Gallows from Detroit, Michigan are another band that are able to do this with aplomb. In the simplest sense, the Goddamn Gallows are a folk punk band, but they take their sound well beyond those confines by adding bluegrass and metal, all with a sort of rollicking mania. They have released seven albums since their formation in 2004, with their style gradually evolving from the rockabilly (self-described as gutterbilly) of their earlier albums to the darker and doomier sounds of their newest records. All of these sounds have been tested and perfected on the road with a relentless touring schedule (I was lucky enough to see them open for Weedeater in Baltimore in 2020).