A few months ago, I wrote about IV and The Strange Band, and their ability to combine a host of disparate sounds to make compelling music. The Goddamn Gallows from Detroit, Michigan are another band that are able to do this with aplomb. In the simplest sense, the Goddamn Gallows are a folk punk band, but they take their sound well beyond those confines by adding bluegrass and metal, all with a sort of rollicking mania. They have released seven albums since their formation in 2004, with their style gradually evolving from the rockabilly (self-described as gutterbilly) of their earlier albums to the darker and doomier sounds of their newest records. All of these sounds have been tested and perfected on the road with a relentless touring schedule (I was lucky enough to see them open for Weedeater in Baltimore in 2020).